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Here's a good demo that uses acoustic, electric, bass, and vocals through the unit (link).
Fender used a genuine lacquer finish on this model that will age beautifully as the years go by.
In live mode, the 1/4" outputs are intended to feed a guitar amp, and there is no speaker simulation added to the patches. In studio mode, the analog and digital outputs feature speaker simulation. Just 5 and includes original box, manual, and CD.
Conversely, the XLR outs do feature speaker simulation in live mode, as it's assumed the signals will be routed to a P. At home on stage or studio and heard on more recordings in the past few years than probably any other preamp. Studio Projects VTB1 Tube Mic Preamp, (back), (psu) Excellent quality single-channel tube blend mic preamp, a must for any home studio, digital or analog.
We can touch all of these up but rather than jack up the price a few hundred Im going to opt to put this out at players price. Fender Flea Signature Roadworn 61 Jazz Bass Shell Pink, (front stacked pots), (back), (headstock), (wear), (gigbag).
The good news is that it looks very presentable and the frets are factory original and nearly perfect. For tone, playability, comfort, and looks, this model beats a Les Paul Standard with weight relief and most purists will gravitate to this one every time, especially considering this one's 8 lbs 3 oz without weight relief. Perhaps the best rock bassist of his generation, Flea from the Chili Peppers has authorized this signature model based on his own '61 Fender Jazz Bass down to the faded Shell Pink finish, of which his is thought to be the only original '61 Shell Pink in existence.
2002 PRS Mc Carty Model, (front), (headstock), (back), (case).